
Posted by Edward Kurstak on
Shepard Fairey’s artwork encompasses graphic design, illustration, pop art and street art, with a heavy emphasis on social activism and societal critique. Fairey is perhaps best known for his “Hope” campaign, a series of posters that portray then-presidential candidate Barack Obama in a portrait setting in an iconic vector-graphic style featuring red, beige and multiple shades of blue, along with the word “HOPE,” “PROGRESS,” “CHANGE.” These posters, inspired by Social...

Posted by Edward Kurstak on
Brooklyn-born American painter Robert Cottingham is widely considered a master of photorealism and a major figure in the Americana movement. After a brief stint working as a commercial artist, during which time he dedicated himself to his own painting practice, Cottingham became renowned for his highly detailed depictions of urban American signage. Unpretentious, playful and rooted in a sense of clear-eyed realism, any of these seven chromogenic prints and serigraphs...

Posted by Edward Kurstak on
Yellow Vest protests in Paris this weekend prompted the Musée d’Orsay to cancel its scheduled programming—a nighttime viewing for its currently running exhibit “Picasso. Blue and Rose”—and close its doors for the day, ARTnews reports. Saturday’s protest, the first staged in Paris in 2019, is just one of many in recent months. Yellow Vesters have staged these protests to draw attention to the country’s rising oil prices and, more importantly,...

Posted by Edward Kurstak on
Born and raised in Pennsylvania by parents Allen and Joan Haring, Keith Haring became fascinated by the whimsical illustrative styles of Walt Disney, Charles Schultz and Dr. Seuss at an early age. His father, whose hobby was cartooning, helped nurture his love for the artform throughout his childhood. In 1976, he enrolled in the Ivy School of Professional Art in Pittsburg, but dropped out after two semesters. Later, in 1978,...

Posted by Edward Kurstak on
At the zenith of his international fame in the 1960s and 70s, Warhol became renowned for producing copies upon copies of American pop icons: celebrities from Elizabeth Taylor to Marlon Brando, oversized Brillo pad boxes, paintings of Campbell's soup cans and more. In doing so, his work synthesized highbrow and lowbrow tastes and suggested that the commercial, mass-marketed world of midcentury US capitalism was indeed worthy of observation and reflection in fine art, as well as critical...